The VCE English text lists, 2026 and 2027.
Every text VCAA has set for English and EAL in 2026 and 2027, with the tenure count VCAA itself prints beside each one — and, because the two lists read together show it, which texts are in their last year.
What is on the VCE English text list?
Forty entries a year: twenty on List 1, which are the texts studied for text response and comparative analysis, and twenty on List 2, the mentor texts for Creating Texts. Both lists are below, for 2026 and for 2027.
The number beside each text is VCAA’s own annotation, and it counts how many years that text has been set. It is worth reading: a text in its fourth year is usually in its last, which matters if you are choosing something to build a year of work around.
The eight texts leaving after 2026
These appear on the 2026 List 1 and not on the 2027 one. Seven of the eight are annotated (4) — the fourth year, which is where VCAA’s own stated practice usually ends a text’s run. This is a comparison of two published lists, not a forecast.
| Text | Author | Form | Years set |
|---|---|---|---|
| We Have Always Lived in the Castle | Shirley Jackson | novel | 4 |
| Bad Dreams and Other Stories | Tessa Hadley | short stories | 4 |
| Rainbow’s End | Jane Harrison | play | 4 |
| New and Selected Poems, Volume One | Mary Oliver | poetry | 2 |
| High Ground | Stephen Johnson (director) | film | 4 |
| Sunset Boulevard | Billy Wilder (director) | film | 4 |
| Requiem for a Beast | Matt Ottley | multimodal | 4 |
| Born a Crime | Trevor Noah | nonfiction | 4 |
If your school is teaching one of these in 2026, nothing about that is a problem — the text is set for this year’s exam and the November paper will examine it. It matters only for work meant to outlast the year. How long a text stays on the list sets out the pattern across eight years of lists, including the three texts that broke it.
The eight arriving for 2027 — seven of them new
Eight titles appear on the 2027 list that are not on the 2026 one. Seven are genuinely new and VCAA annotates each (1); the eighth is the Mary Oliver selection, which carries (3) because it is the same poet’s work under a changed title rather than a new text. VATE’s own August 2026 session on “the new texts on the 2027 VCE English and EAL text list” named exactly the seven, which is the reading this page follows.
| Text | Author | Form | Years set |
|---|---|---|---|
| Edenglassie | Melissa Lucashenko | novel | 1 |
| The Lottery and Other Stories | Shirley Jackson | short stories | 1 |
| The One Day of the Year | Alan Seymour | play | 1 |
| Selected Poems 1965-2005 | Mary Oliver | poetry | 3 |
| The Holdovers | Alexander Payne (director) | film | 1 |
| Picnic at Hanging Rock | Peter Weir (director) | film | 1 |
| Gurrumul | Paul Williams (director) | multimodal | 1 |
| Educated | Tara Westover | nonfiction | 1 |
List 1, 2026 — text response and comparative
The twenty texts set for 2026. Highlighted entries do not continue into 2027.
| Text | Author | Form | Year on the list |
|---|---|---|---|
| Regeneration | Pat Barker | novel | 1 |
| Jane Eyre | Charlotte Brontë | novel | 2 |
| My Brilliant Career | Miles Franklin | novel | 3 |
| Chronicle of a Death Foretold | Gabriel García Márquez | novel | 3 |
| Orbital | Samantha Harvey | novel | 1 |
| We Have Always Lived in the Castle | Shirley Jackson | novel | 4 · last year |
| Ghost Wall | Sarah Moss | novel | 2 |
| The Memory Police | Yōko Ogawa | novel | 3 |
| Bad Dreams and Other Stories | Tessa Hadley | short stories | 4 · last year |
| The Complete Stories | David Malouf | short stories | 2 |
| Rainbow’s End | Jane Harrison | play | 4 · last year |
| Twelfth Night | William Shakespeare | play | 2 |
| Oedipus the King | Sophocles | play | 3 |
| Selected Poems | Langston Hughes | poetry | 1 |
| New and Selected Poems, Volume One | Mary Oliver | poetry | 2 · last year |
| High Ground | Stephen Johnson (director) | film | 4 · last year |
| Sunset Boulevard | Billy Wilder (director) | film | 4 · last year |
| Requiem for a Beast | Matt Ottley | multimodal | 4 · last year |
| We Come with This Place | Debra Dank | nonfiction | 1 |
| Born a Crime | Trevor Noah | nonfiction | 4 · last year |
List 1, 2027
The twenty texts set for 2027. Highlighted entries are new.
| Text | Author | Form | Year on the list |
|---|---|---|---|
| Regeneration | Pat Barker | novel | 2 |
| Jane Eyre | Charlotte Brontë | novel | 3 |
| My Brilliant Career | Miles Franklin | novel | 4 |
| Chronicle of a Death Foretold | Gabriel García Márquez | novel | 4 |
| Orbital | Samantha Harvey | novel | 2 |
| Edenglassie | Melissa Lucashenko | novel | 1 · new |
| Ghost Wall | Sarah Moss | novel | 3 |
| The Memory Police | Yōko Ogawa | novel | 4 |
| The Lottery and Other Stories | Shirley Jackson | short stories | 1 · new |
| The Complete Stories | David Malouf | short stories | 3 |
| The One Day of the Year | Alan Seymour | play | 1 · new |
| Twelfth Night | William Shakespeare | play | 3 |
| Oedipus the King | Sophocles | play | 4 |
| Selected Poems | Langston Hughes | poetry | 2 |
| Selected Poems 1965-2005 | Mary Oliver | poetry | 3 · new |
| The Holdovers | Alexander Payne (director) | film | 1 · new |
| Picnic at Hanging Rock | Peter Weir (director) | film | 1 · new |
| Gurrumul | Paul Williams (director) | multimodal | 1 · new |
| We Come with This Place | Debra Dank | nonfiction | 2 |
| Educated | Tara Westover | nonfiction | 1 · new |
List 2, 2026 — mentor texts for Creating Texts
Mentor texts are read for how they are made rather than for what they argue, and each is set against a Framework idea. What Creating Texts asks for explains the difference, which is the part most often misread.
| Text | Author | Framework idea | Years set |
|---|---|---|---|
| ‘Gooseberries’ | Anton Chekhov | Writing about country | 3 |
| Chapter 2, The Hate Race | Maxine Beneba Clarke | Writing about country | 3 |
| ‘An Open Letter to the Man Who Yelled “Go Back to Africa!” at Me’ | JD Dillard | Writing about country | 1 |
| ‘The Conquest of Land and Dream’ | Yumna Kassab | Writing about country | 3 |
| ‘Split’ | Cassie Lynch | Writing about country | 3 |
| ‘Friday Essay: On the Sydney Mardi Gras March of 1978’ | Mark Gillespie | Writing about protest | 3 |
| ‘Freedom or Death’ | Emmeline Pankhurst | Writing about protest | 3 |
| ‘What’s the Point of Protest?’ | Jonathan Parry | Writing about protest | 1 |
| ‘Harrison Bergeron’ | Kurt Vonnegut | Writing about protest | 3 |
| Monologue from City of Gold | Meyne Wyatt | Writing about protest | 3 |
| ‘The Danger of a Single Story’ | Chimamanda Ngozi Adichie | Writing about personal journeys | 3 |
| ‘The Red Plastic Chair is a Vietnamese Cultural Institution, and My Anchor’ | Amy Duong | Writing about personal journeys | 3 |
| ‘Dear Mrs Dunkley’ | Helen Garner | Writing about personal journeys | 1 |
| ‘bidngen’ | Maya Hodge | Writing about personal journeys | 3 |
| Walter’s speech (end of Part 1) from The Inheritance | Matthew López | Writing about personal journeys | 3 |
| Monologue from Cyrano | Virginia Gay | Writing about play | 3 |
| ‘Impromptu: Fiction for voice and piano’ | Coco X Huang | Writing about play | 1 |
| ‘An Open Letter to Doubting Thomas’ | Chelsea Roffey | Writing about play | 3 |
| ‘All That We Know of Dreaming’ | Penni Russon | Writing about play | 3 |
| ‘About the Boys’ | Tim Winton | Writing about play | 3 |
List 2, 2027
| Text | Author | Framework idea | Years set |
|---|---|---|---|
| ‘Gooseberries’ | Anton Chekhov | Writing about country | 4 |
| Chapter 2, The Hate Race | Maxine Beneba Clarke | Writing about country | 4 |
| ‘An Open Letter to the Man Who Yelled “Go Back to Africa!” at Me’ | JD Dillard | Writing about country | 2 |
| ‘The Conquest of Land and Dream’ | Yumna Kassab | Writing about country | 4 |
| ‘Split’ | Cassie Lynch | Writing about country | 4 |
| ‘Friday Essay: On the Sydney Mardi Gras March of 1978’ | Mark Gillespie | Writing about protest | 4 |
| ‘Freedom or Death’ | Emmeline Pankhurst | Writing about protest | 4 |
| ‘What’s the Point of Protest?’ | Jonathan Parry | Writing about protest | 2 |
| ‘Harrison Bergeron’ | Kurt Vonnegut | Writing about protest | 4 |
| Monologue from City of Gold | Meyne Wyatt | Writing about protest | 4 |
| ‘The Danger of a Single Story’ | Chimamanda Ngozi Adichie | Writing about personal journeys | 4 |
| ‘The Red Plastic Chair is a Vietnamese Cultural Institution, and My Anchor’ | Amy Duong | Writing about personal journeys | 4 |
| ‘Dear Mrs Dunkley’ | Helen Garner | Writing about personal journeys | 2 |
| ‘bidngen’ | Maya Hodge | Writing about personal journeys | 4 |
| Walter’s speech (end of Part 1) from The Inheritance | Matthew López | Writing about personal journeys | 4 |
| Monologue from Cyrano | Virginia Gay | Writing about play | 4 |
| ‘Impromptu: Fiction for voice and piano’ | Coco X Huang | Writing about play | 2 |
| ‘An Open Letter to Doubting Thomas’ | Chelsea Roffey | Writing about play | 4 |
| ‘All That We Know of Dreaming’ | Penni Russon | Writing about play | 4 |
| ‘About the Boys’ | Tim Winton | Writing about play | 4 |
Both years are VCAA’s own lists, and every title on this page was matched verbatim against VCAA’s published document — forty titles per year, checked 2026-09-11, and re-checked on every build by npm run check:text-lists. Sources: the 2026 list and the 2027 list. VCAA material is reproduced here as a reference to what has been set; it is not republished under an open licence, and the documents above are the authority.
What this page does not tell you
Which text to choose. There is no ranking here, no difficulty rating and no claim that one text scores better than another, because the honest answer is that the text matters far less than what a student does with it. A well-read novel argued precisely beats a “better” text handled thinly, every time.
It also does not predict which 2027 texts will go in 2028. The pattern is real and it is set out, with its exceptions, on the tenure page — but a pattern is not an announcement, and VCAA has broken this one before.
There is now a further reason to hold that loosely. On 20 August 2026 VCAA opened a consultation headed “Proposal to extend the text cycle for the VCE English, VCE English as an Additional Language (EAL) and VCE Literature text lists”, with a stakeholder survey that closed on 11 September 2026 (VCE-51). The notice does not say what the cycle would become, or when — only that extending it is under consideration. Nothing on this page changes because of that, since both lists above are published and final for their years. But the four-year rhythm those lists have followed is itself now a live question, and the 2028 list will be the document that answers it.
Checked again on 16 September 2026, five days after the survey closed: VCAA has published no outcome. Its 2026 notices run to number 94, dated 3 September, and none of them since the consultation concerns the text cycle. So the proposal is closed for feedback and undecided in public, which is the ordinary state of a consultation and worth saying plainly rather than leaving a reader to wonder whether they have missed an announcement.